The Azur 351A from Cambridge Audio took the 651A from the same stable as its role model. Both share the pleasingly solid front panel and the precise arrangement of controls and jacks. However, the 351A is internally more stripped-down. The interior of the new integrated amplifier largely resembles that of its big brother: a tidy circuit board layout (some might call it Spartan), a motor-driven, channel-matched black-type Alps potentiometer, and an adequately sized toroidal transformer.
In terms of connectivity, the 351A is pragmatic. It was not given a phono module. Instead, the development team led by Mathew Brumble equipped it with a 16-bit/48kHz USB converter from Burr-Brown. This is acceptable, provided it is fed with music material sampled at a maximum of 48kHz. To play high-resolution signals through the 351A, an external converter is required. Nevertheless, it's a nice feature that is likely to be well-received by listeners.
Cambridge Audio Azur 351A Rear View
A total of five line-level inputs, one Record Out, one USB audio input, one 3.5mm jack MP3 input, and one 6.3mm jack headphone output are available for use. A total of 2 pairs of loudspeakers can be operated. The included IR remote control not only controls the 351A but also iPod, iPhone, and iPad, provided these devices are connected to a suitable dock, such as Cambridge Audio's.
Regarding the sound: The 'little' Cambridge Audio plays openly and precisely. Like other products from Cambridge Audio, the 351A does not dose the treble homoeopathically. We therefore recommend using rather warmly toned electronics and/or loudspeakers. This applies in particular to the integrated DAC, which, compared to the line-level inputs, sounds more treble-heavy and edgy. In combination with the right partners, the Azur impresses with powerful performance and richness of detail. Despite its rather ordinary power capacity, the 351A can really deliver when needed. Its ability to follow dynamic shifts is impressive. The same applies to its handling of complex musical material. Nothing is washed out or jumbled here.
In the bass and sub-bass range, the 351A impresses with homogeneity and natural playfulness. This is a reliable partner that accompanies you through thick and thin. If this sounds like exactly the qualities you're looking for: Go for it.
Those who value fine detail and accuracy may not be captivated by the Azur 351A. But perhaps I am being too strict here. After all, we must not forget the price range in which the Cambridge ultimately operates. For €499, one cannot necessarily expect qualities that are typically found in devices several times more expensive.
So: All in all, the Azur 351A is a good amplifier, provided you take it and listen to it as it is. Not an all-rounder musically, but a fine entry-level amplifier that is fun, provided you don't overwhelm it with complex musical material.
And, most importantly: It remains that there is nothing like the direct, subjective experience of music and music reproduction electronics. Please do not rely solely on third-party statements, but make your own, individual (listening) experiences. We cordially invite you to receive comprehensive advice from us and to listen to and experience music.
0 comments